Known for her soaring voice and richly nuanced characters, soprano Carrie Hennessey is consistently thrilling audiences and critics in opera and concert appearances around the world. As Kát’á in Kát’á Kabanová, “in a vivid star turn in the title role…brought a wondrous blend of silvery tone and sinuous phrasing to her assignment…Hennessey’s performance touched perfectly on Katya’s anxiety, joys and uncertainty, all through a surge of Puccinian lyricism.”- Joshua Kosman, San Francisco Chronicle
The 2022/2023 season kicks off with Opera and Interstellar Voices with the Camellia Symphony, the Brahms’ Requiem and Happy Birthday, USA! with the Music in the Mountains Chorus and Orchestra, and appearances with Bear Valley Music Festival and the Auburn Symphony.
Coming out if the pandemic in the summer of 2021, Ms. Hennessey debuted two roles, the title role in Kát’á Kabanová by Leoš Janáček with West Edge Opera, immediately followed by her illuminating the comic, awkward, and vulnerable Rose in At the Statue of Venus with Festival Opera accompanied on piano by composer Jake Heggie.
Recent engagements include Ms. Hennessey’s performing in the inaugural season of the Capitol Public Radio Garden Concert Series, as soloist of operatic arias with the Cleveland Philharmonic, the world premiere of Bones of Girls by librettist, Cristina Fríes and composer, Ryan Suleiman, with The Rogue Music Project, a collective of performers that cultivates adventurous musical and theatrical experiences. “And Yet She Persisted” was a visceral and heart felt recital with long time collaborator Jennifer Reason of all female composers, for Festival Opera’s online concert series SalON Demand. Debuting as Estelle in a sold out run of an immersive production in the opera The Stronger was a highlight in the Sacramento restaurant Magpie. “Crisis of Faith” explored duets and scenes from new operas including several World Premieres. Song of Sacramento benefitted the Sacramento Children’s Chorus, while amplifying the voices of local composers, which included 8 world premieres of their songs. Other performances included Carmina Burana with Sacramento Ballet, Mozart’s Exsultate, Jubilate! and Requiem, Beethoven’s Symphony No. 9, chamber works including Respighi’s Il Tramonto, Ravel’s Trois Poèmes de Stéphane Mallarmé and William Walton’s Façade, as well as several appearances in recital.
Previous performances include orchestral debut of the Strauss’ Vier Letzte Lieder with conductor Daniel Stewart, collaborating in the development and performance of a world premiere ballet with choreographer Darrell Grand Moultrie and the Sacramento Ballet, Carmina Burana, Gounod’s Messe solennelle en l’honneur de Sainte Cécile, Brahms’ Requiem, a celebration of Leonard Bernstein’s music with concert “Bernstein 100” with the Colorado Symphony and Sinfonia Chamber Brass, Britten’s War Requiem, Mahler’s Symphony No. 2 as well as debuts at the Concertgebouw in Bruges, in Ypres, Belgium and at the Liederhalle in Stuttgart, Germany singing the soprano solo in the Verdi Requiem. Alongside the world-renowned composer Ricky Ian Gordon in the fall of 2016, Ms. Hennessey gave Master Classes and performed a recital of his original art songs.
Notable recent opera highlights include Blanche Du Bois in André Previn’s A Streetcar Named Desire, Sarah Miles in the Bay Area premiere of Jake Heggie’s The End of the Affair with West Edge Opera, Mimì in La Bohème, Elle in La Voix Humaine in NYC, Lauretta in Puccini’s Gianni Schicchi and Magda and Floria Tosca in Puccini: A Man and His Muses for Sacramento Opera. Notable concert appearances include Other highlights include her debut with the Houston Symphony at Jones’ Hall, Mozart’s Mass in C minor at St. Stephen’s Cathedral in Budapest, Hungary and Reduta Hall in Bratislava, Dvorak’s Requiem in Rudolfinum Hall in Prague, Mahler’s Lieder eines fahrenden Gesellen at the International Mahler Festival in the Czech Republic, the Verdi’s Requiem, Mozart’s Requiem, Villa Lobos’ Bachianas Brasileiras No. 5, Mendelssohn’s Elijah and Lobgesang. the Mahler’s Symphony No. 4, Beethoven’s Symphony No. 9 and Vaughn Williams’ Dona Nobis Pacem.Handel’s Messiah with the renowned Pacific Symphony, Stravinsky’s ballet Pulcinella, Mahler’s Das Lied von der Erde at the Mondavi Center for the Performing Arts, a World Premiere song cycle written for Ms. Hennessey and the Rootstock Percussion Trio, Orff’s Carmina Burana with Grand Rapids Symphony, and Fauré’s Requiem and Brahms’ Requiem with Oakland Symphony where Hennessey brought “bright tone and elegant legato”.
Ms. Hennessey continues to actively support music education through lectures, workshops and Master Classes in the communities in which she works, as well as nurturing a thriving private vocal studio. She is currently in the process of writing a one woman show about her early life in singing, walking away from a singing career for 12 years and coming back to create a unique, versatile and vibrant performing and teaching career. Subscribe to her email list www.carriehennessey.com and follow on social media @carriehennessey for updates in the creative process!