Known for her soaring voice and richly nuanced characters, soprano Carrie Hennessey is consistently thrilling audiences and critics in opera and concert appearances around the world. Ms. Hennessey’s much awaited debut in Previn’s A Streetcar Named Desire “gave us a Blanche that let us burrow into her character’s soul, even into the darkest crevices…Hennessey, using a one-two punch of music and drama, made it resonate in a way that equaled the finest stage performances of the part I’ve seen.” (Fresno Bee) Ms. Hennessey’s embodiment of the title role in the West Coast Premiere of Tobias Picker’s opera Emmeline earned her a Bay Area Broadway World Awards for “Best Leading Actress in a Musical” nomination. Praised for bringing her signature “exquisite vocal purity and range to the title role”and was “nothing short of sensational” (San Francisco Classical Voice). As Mimì in La Bohème, Ms. Hennessey “..possessed of a full, powerful lyric soprano, which delivers Puccini’s arias and duets richly. Her “Mi chiamano Mimì” (Yes, they call me Mimì) in Act 1 is gorgeous”. (San Francisco Classical Voice) On only one day’s notice, Ms. Hennessey made her debut with the Modesto Symphony Orchestra, as soprano soloist in Mahler’s Symphony No. 4, to great acclaim.
Upcoming performances include Strauss’ Vier Letzte Lieder with conductor Daniel Stewart and William Walton’s Façade, as well as several appearances in recital singing Strauss’ Vier Letzte Lieder, Barber’s Knoxville: Summer of 1915, and “To Live and Die for Love: The Heroines of Puccini”, which will be recorded in the coming year with brand new chamber orchestrations created especially for Ms. Hennessey.
Recent engagements include her debut as soprano soloist in the Britten’s War Requiem and Mahler’s Symphony No. 2 as well as debuts at the Concertgebouw in Bruges, in Ypres, Belgium and at the Liederhalle in Stuttgart, Germany singing the soprano solo in the Verdi Requiem. Alongside the world-renowned composer Ricky Ian Gordon in the fall of 2016, Ms. Hennessey gave Master Classes alongside Mr. Gordon and performed a recital of his original art songs. Other highlights include the Mahler’s Symphony No. 4, Beethoven’s Symphony No. 9 and Vaughn Williams’ Dona Nobis Pacem, Carmina Burana with Sacramento Ballet, and chamber works including Respighi’s Il Tramonto and Ravel’s Trois Poèmes de Stéphane Mallarmé
Previous performances include her debut as Blanche Du Bois in André Previn’s A Streetcar Named Desire, with the Houston Symphony at Jones’ Hall, Mozart’s Mass in C minor at St. Stephen’s Cathedral in Budapest, Hungary and Reduta Hall in Bratislava, Dvorak’s Requiem in Rudolfinum Hall in Prague, Mahler’s Lieder eines fahrenden Gesellen at the International Mahler Festival in the Czech Republic, the Verdi’s Requiem, Mozart’s Requiem, Villa Lobos’ Bachianas Brasileiras No. 5, Mendelssohn’s Elijah and Lobgesang.
Notable recent opera highlights include Sarah Miles in the Bay Area premiere of Jake Heggie’s The End of the Affair with West Edge Opera, Mimì in La Bohème, Elle in La Voix Humaine in NYC, Lauretta in Puccini’s Gianni Schicchi and Magda and Floria Tosca in Puccini: A Man and His Muses for Sacramento Opera. Notable concert appearances include Handel’s Messiah with the renowned Pacific Symphony, Stravinsky’s ballet Pulcinella, Mahler’s Das Lied von der Erde at the Mondavi Center for the Performing Arts, a World Premiere song cycle written for Ms. Hennessey and the Rootstock Percussion Trio, Orff’s Carmina Burana with Grand Rapids Symphony, and Fauré’s Requiem and Brahms’ Requiem with Oakland Symphony where Hennessey brought “bright tone and elegant legato”.
Ms. Hennessey directed the Sacramento Children’s Chorus their joint production in Brundibar Sacramento Opera, is currently an artistic advisor to the board and mentor to the artistic staff. Ms. Hennessey continues to actively support music education through lectures, workshops and Master Classes in the communities in which she works, as well as nurturing a thriving private vocal studio in Northern CA.